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He saw a donkey with butterfly wings, a rooster with bull horns, a lion with an eagle head, and all of them were shouting one word, "Alebrijes".

Known as the “Señora de los Monstruos” by the local children in Condesa, an upscale neighborhood of Mexico City, she is a native Argentinan and naturalized Mexican citizen.

Her work can be found across Mexico City and elsewhere, such as those in Europe.

Rivera said that no one else could have fashioned the strange figures he requested; work done by Linares for Rivera is now displayed at the Anahuacalli Museum in Mexico City.

Various branches of the family occupy a row of houses on the same street.

The original designs for Pedro Linares' alebrijes have fallen into the public domain.

However, according to Chapter Three of the 1996 Mexican federal copyright law, it is illegal to sell crafts made in Mexico without acknowledging the community and region they are from, or to alter the crafts in a way that could be interpreted as damaging to the culture’s reputation or image.Her work differs from that of the Linares in that many of her designs include human contours and many with expressions more tender than terrifying.She also uses nontraditional materials such as feathers, fantasy stones and modern resins, both for novelty and for durability.He heard a crowd of voices repeating the nonsense word “alebrije.” After he recovered, he began to re-create the creatures he'd seen, using papier-mâché and cardboard.The tradition grew considerably after British filmmaker Judith Bronowski's 1975 documentary on Linares.Each family works in its own workshops in their own houses but they will lend each other a hand with big orders.

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